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Home»Home Furnishings»Decade of Design Showcased in Colony’s Exhibition The Independents
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Decade of Design Showcased in Colony’s Exhibition The Independents

News RoomBy News RoomMay 29, 2025No Comments2 Mins Read
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The Independents marks Colony’s 10th anniversary as a platform where founder Jean Lin’s personal vision and marketplace viability find rare equilibrium. The exhibition brings together 24 design studios from Colony’s orbit, each responding to what independence in design practice means to them. The resulting collection serves as both retrospective and manifesto – a declaration that independence in design isn’t merely aesthetic preference but philosophical stance.

A paper cord chair with a single walnut along a corner hinge sits in the corner of Lin’s Tribeca gallery space. To the casual observer, it might register simply as a thoughtful detail of material juxtaposition. But Chen Chen & Kai Williams’ Walnut Corner Chair carries cultural memory within its form. The designers drew inspiration from the Chinese tradition of passing walnuts from one generation to the next, objects worn smooth by the hands of ancestors. This object-as-inheritance becomes a fitting metaphor for what Colony has cultivated over its decade of existence.

A modern gallery with minimalist furniture, sculptures, and lighting fixtures displayed on plinths against white brick walls and polished concrete floors.

“I’m very proud of the community of independent designers that we have built at Colony over the past decade,” says Colony founder Lin. “The Independents exhibition encapsulates my very own ‘why.’ My belief in the independent spirit is limitless, and so is my awe.”

A minimalist room with light brick walls features modern furniture, including tables and a stool on wooden platforms, and a unique floor lamp with geometric shades.

A minimalist interior with two abstract sculptures on a white table, positioned near a red and olive green woven curtain.

Abstract, bronze-colored metal sculpture hangs in a sunlit gallery space with large windows, light curtains, and pedestals displaying other art objects.

The exhibition reveals how Colony’s cooperative model has evolved beyond representation to becoming an incubator. Studios emerging from the gallery’s Designers’ Residency program – including Ember Studio, Thomas Yang Studio, and the freshly minted Studio BC Joshua from the 2025 class – demonstrate how Colony functions as both launch pad and ongoing support system.

A minimalist gallery room displaying five unique side tables on white pedestals, with a round mirror and two wall lights on a white wall under a staircase.

Materiality serves as a throughline connecting past and present. Current Colony designers like Hiroko Takeda, Moving Mountains, and SSS Atelier present new work that extends their material investigations. Takeda’s textiles in particular showcase how technical mastery creates spaces for expression – the constraints of the loom enabling greater creative freedom.

A small abstract sculpture sits on a white pedestal in a sunlit gallery space, with a yellow textile and a larger hanging metal sculpture partially visible.

Three large, round cork lids rest on dark circular bases atop a white platform; one lid is partially open, revealing an interior compartment.

A modern living space with a wooden sofa featuring bright blue cushions and colorful pillows, a wooden bear sculpture on a pedestal, and a geometric dark green textile on a white brick wall.

A wooden pedestal stands next to potted plants and a wall-mounted pink light fixture in a bright room with sheer curtains and large windows.

Bronze abstract sculpture composed of interlocking, organically shaped pieces, suspended vertically in a sunlit gallery space with concrete floor and sheer curtains.

For more information on The Independents, visit Colony at goodcolony.com.

Photography by Brooke Holm.



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